In which ju dou is trying to overthrow the domination of patriarchy by torturing jinshan and seducing tianqing in order to become the real figure in charge at home 试想此等翻版在某程度上真的令到电影的收入减低。既然收入减低，控制水准的资出自然会受影响。
Because whether ju dou is dead or not , tianbai , the remaining male figure , is still a guardian of the patriarchal dominated society , and he will soon take over to be the head of the household 不过一如周星驰在喜剧之王的自嘲，港人一向也盲目地拒绝认真，太认真和负责任的人大多只会被视为傻仔
Zhang is generally considered one of china ' s two great directors ( kaige chen being the other ) , as “ ju dou , “ “ raise the red lantern “ and “ shanghai triad “ have proved 如《菊豆》 、 《大红灯笼高高挂》和《摇啊摇，摇到外婆桥》所证明的，张被公认为是中国最优秀的两位导演之一（另一位是陈凯歌） 。
Moreover , the use of jinshan as the impotent husband and tianbai as tianqing s competitor of ju dou s love complicate the romance and turn it into a power struggle against the social and cultural context in china 另外影圈缺乏完善的就职机会计划提供市道又越加低迷，入职薪酬难以提高，也是难以吸引新人材入行的原因之一。
As shuqin cui suggests , " with no way out from under the blanketing power of the feudal system , ju dou sets a fire that sends the dye factory and her years of longing for liberation up in the smoke " lu p 例如早两年特首宣布拿基金来发展特技电影就是一例。政府以为只要拿些钱出来便能解决问题，却不知道这是治标不治本的方法。
But i think it is not exactly true . when i examined the cotents of the films more carefully , i found out that sufen and ju dou are still unable to liberate from the patriarchal dominated society 但是这班大爷又感到不满，他们既要高水准的电影，又间接通过买卖翻版握紧水喉降低电影的成本，试问在此为恶性循环下电影人又能做到什么？
Jinshan is an impotent and infertile figure while tianqing is a representative of masculine inferiority whose actions and behaviors are always controlled by ju dou . it seems that patriarchy is totally destroyed by the failure of these two male characters . but it is not the end yet 就算一定要用绰头艺人，也应抽时间让该艺人揣摸一下角色最怕是那一些歌影视三栖的艺人，工作忙到根本难以想像他们能放时间研究电影角色。
The virtue and positions so specific to certain relationships are fixed ; . it can be read as a search for lost male subjectivity and masculinity " lu p . 324 . that means , although there is a short period in the middle of the film when ju dou almost succeeds in overturning the ruling of patriarchy , it still turns out to be a failure eventually 举例如荷里活的偶像派演员奇洛李维斯，本身虽然多以外型吸引观众，但是却没有忘记对电影的尊重，每电影都能放很多时间研究角色如拍matrix时便花数个月学功夫又如万人迷毕比特，亦曾为电影角色拔丢几颗牙，本身演员道德可见一班。
That means , even though jinshan is dead , there is still no way out for ju dou to escape from this patriarchal system she is trapped in . in addition , as shuqin cui writes , " as ju dou and tianqing taste the pleasure of the love affair , they are haunted by the fear of violating ritual principles - especially the principles of chastity for woman and filial piety " lu p 今次大数港片末落的原因，目的不是要对港片奚落一番相反地，笔者是想藉此能让更多人知道问题所在的原因至少笔者认为是的问题，因为要解决一个大问题的话，一定要了解问题的根源，这才是治本的唯一办法。
